Alberici: agriculture, family life, food and culture, all in a day!
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Then the road to
Reggio Emilia.
Boretto is like no
other wine area that I visit. Where Alto Piemonte peters out on western bank
of the Sesia River is maybe similar, but really that is rice country, flat and
alluvial and only planted intermittently to grapes. Reggio Emilia is very much
a wine region. Lambrusco still has a significant presence in its flat, low-elevation
fields.
I finally get to the
house and winery of the Alberici family. Arianna meets me straight away, full
of reproachment for missing lunch (a story for another blog post) that was an epic feast prepared
by her mother and shared by her extended family. I do feel bad. Missing it was
a conscious decision, probably the wrong one, but there you go, I’m
far-from-perfect. Still, Arianna seems happy to see me. We share espresso and I
still get to eat a piece of the pear tart (fruit they grew) made by her mother.
It’s mid-afternoon, so we hustle out to the vineyard in the front yard, past
happy/active bees, to meet Amilcare Alberici and Mara, a trusted grape picker
and locally famous cook. She looks like a painting of an Italian country woman
from 1900. We pick rows of Lambrusco Salomino, slow work. The previous weekend
hail damaged the vines we are working, making formerly-healthy bunches uneven,
busted and dried. Strangely, it pelted only a few rows. Most of the vineyard is
in great shape after a particularly warm, dry summer. At 6pm we stop picking
grapes and go for an amble around the field. Lambrusco Maestri is also planted
in some sections, and the odd unintentional Moscato vine. I see this kind of
nursery mistake/unwanted vine in almost every field I tour. In the case of
Moscato, there’s really no harm: they are delicious table grapes!
After our
circumnavigation of the field, we taste wine in the kitchen. There is a story
to every label. Arianna is an artist and has been diligently reworking their
bottles. Some of them are cute: disarmingly personal. The amabile label features illustrations of her small girl and her
father among vines. Amilcare doesn’t think it looks like him! I’ll admit the
representation is close… but a little more Asian in appearance than Amilcare,
who is tanned and strong, clearly a working man, also distinctly Italian.
Through the afternoon
a mass of Albericis has been slowly re-assembling. The father of Arianna’s 9-month-old
child appears, and plays with his daughter in a nearby room. While we were
picking, the wife of Arianna’s brother, and the sister of the wife of her
brother also appeared. They take many pictures, and talk with me in lovely
proper English. Finally Arianna’s brother shows up, to collect his pregnant
wife. In spite of the epic lunch, food is creeping across the table. A plate of
salami, followed by a plate of Parignano-Reggiano chunks (we are in the region)
and then, at last, a spinach-and-Reggiano pastry called Erbazzone. With apologies to my Greek-American friends, it’s like a
better version of Spanikopita.
Time for a tour.
Arianna’s brother’s-wife’s-sister (name escapes me: sorry!) works for the local
tourism board. She sneaks us after-hours into an impressive old residence of
the Gonzaga family, onetime rulers of this region. It’s massive and dark
inside. A few workers are enjoying a drink in a room at the other end of the
structure. We hear their laughter. We whisper. Then she finds the light-switch.
Elaborate stone-work, larger-than-life statues, and a massive glass ceiling slowly
materialize, and gain focus in the rising warm, soft glow.
The clock tower and
main square of this small town are particularly impressive. Both women are
proud of their home, and wish tourists left the obvious destinations of Parma
and Bologna to see Gualtieri. We wander, telling stories and jokes. They are
light-hearted and quick-witted. Arianna peers into shop windows, her relative
complains at the low pay she receives teaching English at the local public
school (her day job.) It’s a too-familiar story.
We stroll down many
charming streets lined by ancient stone buildings, libraries, so many churches.
Eventually we walk along the Po River. It is flowing with purpose after
significant recent rains. Tree trucks have surrounded a helpless small boat
moored near a beer hall on the river’s bank. The pedestrian paths along the
river are inviting, wide and well-lit: dotted with accommodations, restaurants
and bars. It’s a cool night and the public spaces are kinda empty. Joggers and
dog walkers pass us by.
The wines:
2014 La Fogarina
(yellow label.) 90% Fogarina, 10% Ancellota. 10.5% abv. 2,000 bottles made.
Dry. Hand-harvested
into buckets, then into pallet-sized plastic bins. More tartaric acid than
2013. Also ½ degree higher in alcohol. Clean. Good. “Fogarina preserves the
other grapes,” according to Amilcare.
2014 La Fogarina
(artist label.) 10% Fogarina 75% Lambrusco Salomino 15% Ancellota. Made as a
commemoration 50 years after the death of Antonio Ligabue, a locally-famous
artist from Gualtieri who enjoyed carousing and drinking Fogarina in the
taverns of this area. The label has a drawing from Ligabue of a gazelle. The
wine is a little easier on the palate (less tannic) than the yellow label
Fogarina.
2014 Il Casalone
Lambrusco dell’Emilia IGP. 75% Salomino,
15% Ancellota, 10% others. New label, featuring “Donna Vigna.” 11% abv. This
wine was great with all the foods of the region. I gave it ½ star in my
notebook.
2014 Ca’ Rosa
Lambrusco dell’ Emilia Rosso IGP. 11.5% abv. Lambrusco di Sorbara. The grape is lighter-skinned, as is this wine. Arianna described it as the brother of
Casalone, but for aperitivo (Casalone is for food.) The wine is easier. The
label has a glass of wine blossoming from the river Po.
2014 Musetta Amabile
Fontana dell’Emilia 7.5% abv. 100% Fontana, which is not a member of the
Lambrusco family. Label shows Amilcare with Aurora, Arianna’s daughter, whose
nickname is “Musetta.” No reference intended to the character from La
Boheme. The wine is good, balanced, pleasing to me. I
gave it ½ star. The grape variety Fontana is disappearing. It is grown (a
little) near Parma (for example, at Alberici) and Ferrara.
2014 Chardonnay
(sparkling)
It is grown on the
other side of the highway from Alberici. The label has a cup as part of their
house, with bubbles coming out (Casalone bianco.) The wine has a little
smoke/reduction aroma. Quite dry.
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